©2024 RAISING JAKE STUDIOS
Dolby and the double-D symbol are registered trademarks of Dolby Laboratories Licensing Corporation. VST and VST3 are trademarks of Steinberg Media Technologies GmbH. Audio Unit is a trademark of Apple, Inc. AAX, Avid, the Avid logo, and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries. Special thanks to the folks at Tracktion for their awesome Pluginval tool!  Check out Tracktion’s latest DAW here: https://www.tracktion.com/
MB3X - Multi-Band Mastering Compressor The   MB3X   Multi-Band   Mastering   Compressor   is   a plugin       emulation       of       the       hardware       unit manufactured    by    Rocksonics    Professional   Audio in   the   mid   1990’s   -   with   a   few   BONUS   features only available in the plugin. The         MB3X         is         a         mastering         grade compressor/limiter   with   extremely   low   distortion and   utmost   musicality.      The   MB3X   uses   multiple layers   of   program-dependent   RMS   level   detectors for   smooth,   low   distortion   “musical”   results   while being   very    simple    to    set    up    and    operate.       The compressor   has   three   fixed   bands   of   compression separated   by   unique,   constant   amplitude   Bessel crossovers   that   produce   very   low   phase   distortion and    NO    pre-ringing.   A    single   Threshold    control sets    the    nominal    threshold    point    that    can    be individually    trimmed    for    each    band    via    unique “tilting”   trim   controls   making   it   extremely   fast   to set up. The MB3X plugin provides many features including those not part of the original hardware unit: “½-rack stacked” GUI layout for less scrolling around on the DAW window! A/B memory recall of two different sets of settings.  When a project is saved in a DAW BOTH sets of controls are saved allowing further “tweaking” at a later time if desired. Wet/Dry Mix controls for both compressor and main output allows blending the compressed signal with the original source signal for parallel compression techniques. Variable “Saturation” control that adds a touch of harmonic distortion for added presence to the signal Switchable 1dB/2dB gain ranges for the gain reduction meters A   “Hilbert”   control   that   reduces   the   THD   of   the   compressor   to   inaudible   levels   over   most   of   the   audio   range   -   for   example,   THD   of   a   35Hz   sine   wave   at   4:1   compression   is only 0.003% with Hilbert control engaged Automatic mono/stereo channel switching for reduced CPU load when used on mono tracks in mixing The   MB3X   compressor   can   be   used   to   automatically   balance   the   audio   spectrum   in   applications   such   as   Web   Radio   or   can   be   adjusted   to   preserve   the   source   EQ   balance   when used   in   applications   such   as   mastering.      In   either   case,   the   compressor   will   bring   out   the   details   in   the   audio   while   controlling   dynamics   in   a   musically   pleasing   way   for   a   “finished” sound. "It has become a secret weapon for me"  - Ed Seay, Cool Tools Audio, Nashville, TN  USA
The original hardware MB3X from Rocksonics, 1995
Limited-S - Dynamic Sibilance Controller Limited-S   is   a   high   quality   De-Esser,   Enhancer   and   harshness   controller   designed   for   use   in both mixing and mastering applications. Limited-S   uses   a   different   approach   than   typical   De-Essers,   Dynamic   EQs,   etc.      Limited-S does   not   use   a   traditional,   and   often   “slurpy”,   compressor-type   Attack/Decay   level   detector.           Instead    Limited-S    uses    a    Finite    Impulse    Response    (FIR)    filter    that    exactly    calculates    the envelope   of   the   signal   at   all   times.     There   is   no   need   to   fuss   with   attack   and   decay   settings   to get   acceptable   results.      When   Threshold   and   Ratio   are   set   properly,   de-essing   action   will   be completely transparent in most cases.  All you will hear is less sibilance. Limited-S   is   a   “fixed   threshold”   type   De-Esser   that   works   on   peak   signal   levels   much   like   a limiter.      It   does   not   attempt   to   track   the   overall   signal   and   attenuate   what   it   “thinks”   is excessive   sibilance.      De-Essers   of   that   type   tend   to   overcompress   leading   sibilance   (producing lisping)   while   under-controlling   trailing   sibilance.      Limited-S,   instead,   only   catches   the   loudest and most offensive sibilance peaks.  (The threshold can be automated if desired). When   used   on   stereo   tracks,   Limited-S   can   operate   on   the   full   mix,   just   the   Mids,   just   the   Sides   or   just   Left   or   Right.      This   allows   applications   in   both   mixing   and   mastering   such   as de-essing of vocals in a master (typically centered) while leaving the sides untouched.  Limited-S’s High Lift control allows adding brightness to a mix while simultaneously controlling excessive high frequencies.  Great on vocals or for brightening a master! Limited-S   also   includes   a   Sidechain   input   that   allows   one   signal   source   to   “duck”   the   highs   in   another   signal   source.      This   can   be   used,   for   example,   to   keep   a   vocal   clear   during cymbal crashes, etc. Limited-S automatically switches to mono or stereo mode to minimize CPU load per track usage.
Pristine Peaks - Ultra-low Distortion Peak Limiter Pristine   Peaks   is   an   ultra-low   distortion   mono/stereo   peak   limiter   for   use   in   both   mixing   and   mastering   applications   where   the   utmost   in   transparent   peak control is required. Pristine   Peaks   uses   a   novel   approach   to   dynamics   control   that   produces   a   very   “clean”   sound   that   does   not   break   up   or   distort   even   at   high   gain   reduction amounts.      Instead   of   saturating   or   clipping   waveform   peaks,   Pristine   Peaks   determines   what   needs   to   be   done   to   control   the   peaks   and   applies   that   gain change to the entire waveform. This results in extremely low THD that does not increase with gain reduction. PristinePeaks provides the following features: Less   than   0.005%   THD   at   any   gain   reduction   amount   (20Hz-20kHz, ISP on)* No aliasing* Oversampling option for ISP detection 4 choices of Dither (16 and 24-bit) Linear Phase input High Pass Filter Up to 20dB of limiter drive Gain + 20dB Ceiling range Gain Comp control for monitoring at unity gain Attenuation Delta control for monitoring what the limiter is removing Stereo cross-linked or independent L/R gain reduction Choice of two different release slope shapes Peak hold meters that capture the max gain reduction Mono and stereo channel applications Post-limiter, pre-dither output fader control *Steady-state measurements Pristine   Peaks   is   the   ideal   limiter   of   choice   for   music   and   post-production   applications   where   clean,   high   quality   limiting   is   required   without   saturation   or clipping   of   the   source   material.      NOTE:      Pristine   Peaks   requires   a   considerable   amount   of   latency   to   “do   its   thing”   and   is,   therefore,   not   suitable   for live/tracking applications.
Is it Snake Oil?  Wytse says No!
dB Smooth - FIR-Based 4-Quadrant Compressor/Expander - ultra-smooth compression and expansion dB   Smooth   is   a   unique   dynamics   processor   based   on   Finite   Impulse   Response   (FIR)   vs.   traditional   analog   style   level   detectors.      The   FIR   detectors   are   very precise and exactly surround the current audio sample producing a uniquely “smooth” sound at all settings.  db   Smooth   also   employs   a   unique   “Unity   gain   threshold”   where   boost   and   cut   are   applied   above   and   below   this   setting   for   gain   matching   by   design.      This approach   allows   the   user   to   change   compression/expansion   ratios   without   having   to   re-adjust   makeup   gain   levels.      db   Smooth   is   a   4-Quadrant   dynamics processor that can be used for: Wide range compression Wide range expansion Upward compression Downward compression Upward expansion Downward expansion dB Smooth has as a very “clean” sound that does not break up or distort even at high ratios making it suitable for: Mixing Mastering Post Production Video/Film Audio Webcasting Podcasting dB Smooth provides the following features: 4 choices of stereo operation: o Peak Linked o Average Linked o Independent Left/Right o Mid/Side Oversampled output soft clipper/limiter Dynamics range control continuously variable from 10:1 compression thru 1:2 expansion External side chain input Mix control for parallel compression effects Mono and stereo channel applications dB Smooth is an excellent choice for music and post-production applications where clean, high quality dynamics control is required.
Wytse likes it!
Wytse Likes It!
Pristine Peaks IE - Ultra-Low Distortion Peak Limiter - Immersive Edition Pristine   Peaks   IE   is   a   streamlined   version   of   our   stereo   Pristine   Peaks   limiter   that   has   been   enhanced   and   optimized   for   multi-channel   surround   and “immersive   audio”   applications.      Pristine   Peaks   IE,   like   Pristine   Peaks,   is   an   ultra-low   distortion   peak   limiter   for   use   in   both   mixing   and   mastering   applications where the transparent peak control is required. Pristine   Peaks   IE   can   support   up   to   12   channels   of   audio   for   use   on   mono   all   the way   up   to   7.1.4   channel-based   audio   tracks   and   buses.      Each   channel   can   be level-trimmed +/-5dB pre-limiter while their peaks can be trimmed as well by as much as 10dB below the master Ceiling setting. Pristine   Peaks   IE   is   more   than   just   a   limiter!      It   is   a   multi-channel   editing   tool   that   can   be   used   to   trim   levels,   mute   and/or   extract   individual   channels   from within a multi-channel audio stream via its Channel Isolate and Drive Trim controls. Pristine   Peaks   IE   uses   a   novel   approach   to   dynamics   control   that   produces   a   very   “clean”   sound   that   does   not   break   up   or   distort   even   at   high   gain   reduction amounts.      Instead   of   saturating   or   clipping   waveform   peaks,   Pristine   Peaks   IE   determines   what   needs   to   be   done   to   control   the   peaks   and   applies   that   gain change to the entire waveform. This results in extremely low THD for a very “clean” sound. PristinePeaks IE provides the following features: Up to 12 channels of independent gain reduction Less    than    0.005%    THD    at    any    gain    reduction amount (20Hz-20kHz)* No aliasing* -10dB to +20dB of pre-limiter global Drive gain +/-5dB channel pre-limiter drive Trims 0 dB to -20dB global Ceiling range 0dB to -10dB channel Ceiling Trims +/-15dB level Output control Choice of two different release slope shapes Peak    hold    meters    that    capture    the    max    gain reduction Independent      Channel      Isolation      and      Bypass buttons *Steady-state measurements Pristine   Peaks   IE   is   the   ideal   limiter   of   choice   for   video   and   multi-channel   music   production   applications   where   clean,   high   quality   limiting   is   required   without saturation   or   clipping   of   the   source   material.      NOTE:      Pristine   Peaks   IE   requires   a   considerable   amount   of   latency   to   “do   its   thing”   and   is,   therefore,   not suitable for live/tracking applications. NOTE:  The Mac version of this plugin requires a system that supports Metal graphics and may not work on older machines.  Please TRY it before you BUY it!
Pristine Peaks IE can be used to greatly simply the mixing process of Dolby Atmos.  See our technique as applied in Pro Tools here: 
DRP2a mkII - Dynamic Range Processor The    DRP2a    mkII    Stereo    Dynamic    Range    Processor    is    a    plugin    emulation    of    the    hardware    unit manufactured   by   Rocksonics   Professional Audio   in   the   mid   1990’s   - with   a   few   BONUS   features   only available in the plugin. The   DRP2a   is   a   “Swiss   Army   Knife”   of   dynamics   processors   capable   of   a   multitude   of   functions   all within   one   little   plugin   interface   -   compression,   expansion,   noise   gating,   limiting,   clipping,   de-essing, ducking, pumping and MORE! The    DRP2a    uses    multiple    layers    of    program-dependent    RMS    level    detectors    for    smooth,    low distortion   “musical”   results while   being very   simple   to   set   up   and   operate.     A   single Threshold   control sets   the   point   at   which   compression   and   gating   occur   making   it   extremely   fast   to   set   up   on   guitars, vocals, bass, etc.. The    DRP2a    plugin    offers    the    same    time    constants    and    controls    as    the    original    hardware    unit including   Ratio   -   which   ranges   from   10:1   compression   to   1:1.9   expansion   -   Threshold,   Makup   Gain and Release speed.  An Expander Gate control allows the selection of two different downward expansion ratios for the soft expander noise gate. The   Plugin   version   offers   additional   features   including   Side   Chain   Input,   Look   Ahead,   a   De-Essing   emphasis   control   for   the   sidechain,   an   oversampled   output   Clipper/Limiter   and Wet/Dry Mix control.  Wow!  That’s a  lot of features! The DRP2a automatically switches for mono or stereo tracks to minimize CPU load making it an ideal compressor/gate and dynamic FX processor for mixing.
The original hardware DRP2a from Rocksonics, 1994
Dynamics Processing Plugins (44.1k-192k Sample Rates) VST2, VST3 and AAX - 64-bit Windows 7+ with OpenGL2 or higher graphics    VST2,VST3, AU and AAX - Mac OS 10.11+ on Intel & Apple Silicon Please try the 14 day free demos before purchasing.
VST and VST3 are trademarks of Steinberg Media Technologies GmbH. Audio Unit is a trademark of Apple, Inc. AAX, Avid, the Avid logo, and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries. Special thanks to the folks at Tracktion for their awesome Pluginval tool!  Check out Tracktion’s latest DAW here: https://www.tracktion.com/
©2024 RAISING JAKE STUDIOS
DRP2a mkII Dynamic Range Processor The   DRP2a   mkII   Stereo   Dynamic   Range   Processor   is a      plugin      emulation      of      the      hardware      unit manufactured   by   Rocksonics   Professional   Audio   in the   mid   1990’s   -   with   a   few   BONUS   features   only available in the plugin. The    DRP2a    is    a    “Swiss    Army    Knife”    of    dynamics processors   capable   of   a   multitude   of   functions   all within    one    little    plugin    interface    -    compression, expansion,   noise   gating,   limiting,   clipping,   de-essing, ducking, pumping and MORE! The     DRP2a     uses     multiple     layers     of     program- dependent    RMS    level    detectors    for    smooth,    low distortion   “musical”   results   while   being   very   simple to   set   up   and   operate.      A   single   Threshold   control sets    the    point    at    which    compression    and    gating occur   making   it   extremely   fast   to   set   up   on   guitars, vocals, bass, etc.. The   DRP2a   plugin   offers   the   same   time   constants and   controls   as   the   original   hardware   unit   including Ratio   -   which   ranges   from   10:1   compression   to   1:1.9 expansion    -    Threshold,    Makup    Gain    and    Release speed.         An     Expander     Gate     control     allows     the selection    of    two    different    downward    expansion ratios for the soft expander noise gate. The      Plugin     version      offers      additional      features including   Side   Chain   Input,   Look   Ahead,   a   De-Essing emphasis   control   for   the   sidechain,   an   oversampled output    Clipper/Limiter    and    Wet/Dry    Mix    control.      Wow!  That’s a  lot of features! The    DRP2a    automatically    switches    for    mono    or stereo    tracks    to    minimize    CPU    load    making    it    an ideal   compressor/gate   and   dynamic   FX   processor   for mixing.
MB3X Multi-Band Mastering Compressor The   MB3X   Multi-Band   Mastering   Compressor   is   a plugin   emulation   of   the   hardware   unit   manufactured by   Rocksonics   Professional Audio   in   the   mid   1990’s   - with    a    few    BONUS    features    only    available    in    the plugin. The   MB3X   is   a   mastering   grade   compressor/limiter with   extremely   low   distortion   and   utmost   musicality.     The     MB3X     uses     multiple     layers     of     program- dependent    RMS    level    detectors    for    smooth,    low distortion   “musical”   results   while   being   very   simple to   set   up   and   operate.      The   compressor   has   three fixed    bands    of    compression    separated    by    unique, constant   amplitude   Bessel   crossovers   that   produce very    low    phase    distortion    and    NO    pre-ringing.    A single   Threshold   control   sets   the   nominal   threshold point   that   can   be   individually   trimmed   for   each   band via   unique   “tilting”   trim   controls   making   it   extremely fast to set up. The   MB3X   plugin   provides   many   features   including those not part of the original hardware unit: A/B    memory    recall    of    two    different    sets    of settings.      When   a   project   is   saved   in   a   DAW BOTH    sets    of    controls    are    saved    allowing further “tweaking” at a later time if desired. Variable   Mix   controls   on   both   compressor   and main   output   for   blending   the   processed   signal with    the    original    source    signal    for    parallel compression techniques. Variable   “Saturation”   adds   a   touch   of   harmonic distortion for added presence to the signal Switchable   1dB/2dB   gain   ranges   for   the   gain reduction meters A   “Hilbert”   control   that   reduces   the THD   of   the compressor   to   inaudible   levels   over   most   of   the audio   range   -   for   example,   THD   of   a   35Hz   sine wave   at   4:1   compression   is   only   0.003%   with Hilbert control engaged Automatic   mono/stereo   channel   switching   for reduced   CPU   load   when   used   on   mono   tracks in mixing The   MB3X   compressor   can   be   used   to   automatically balance   the   audio   spectrum   in   applications   such   as Web    Radio    or    can    be    adjusted    to    preserve    the source   EQ   balance when   used   in   applications   such   as mastering.      In   either   case,   the   compressor   will   bring out     the     details     in     the     audio     while     controlling dynamics   in   a   musically   pleasing   way   for   a   “finished” sound.
Limited-S Dynamic Sibilance Controller Limited-S   is   a   high   quality   De-Esser,   Enhancer   and harshness   controller   designed   for   use   in   both   mixing and mastering applications. Limited-S   uses   a   different   approach   than   typical   De- Essers,   Dynamic   EQs,   etc.      Limited-S   does   not   use   a traditional,     and     often     “slurpy”,     compressor-type Attack/Decay    level    detector.                Instead    Limited-S uses    a    Finite    Impulse    Response    (FIR)    filter    that exactly   calculates   the   envelope   of   the   signal   at   all times.       There    is    no    need    to    fuss   with    attack    and decay    settings    to    get    acceptable    results.        When Threshold    and    Ratio    are    set    properly,    de-essing action   will   be   completely   transparent   in   most   cases.     All you will hear is less sibilance. Limited-S   is   a   “fixed   threshold”   type   De-Esser   that works   on   peak   signal   levels   much   like   a   limiter.      It does    not    attempt    to    track    the    overall    signal    and attenuate   what   it   “thinks”   is   excessive   sibilance.      De- Essers    of    that    type    tend    to    overcompress    leading sibilance   (producing   lisping)   while   under-controlling trailing   sibilance.      Limited-S,   instead,   only   catches   the loudest    and    most    offensive    sibilance    peaks.        (The threshold can be automated if desired). When   used   on   stereo   tracks,   Limited-S   can   operate on   the   full   mix,   just   the   Mids,   just   the   Sides   or   just Left   or   Right.      This   allows   applications   in   both   mixing and   mastering   such   as   de-essing   of vocals   in   a   master (typically      centered)      while      leaving      the      sides untouched.  Limited-S’s   High   Lift   control   allows   adding   brightness to   a   mix   while   simultaneously   controlling   excessive high   frequencies.      Great   on   vocals   or   for   brightening a master! Limited-S   also   includes   a   Sidechain   input   that   allows one    signal    source    to    “duck”    the    highs    in    another signal   source.     This   can   be   used,   for   example,   to   keep a vocal clear during cymbal crashes, etc. Limited-S   automatically   switches   to   mono   or   stereo mode to minimize CPU load per track usage.
Dynamics Processing Plugins (44.1k-192k Sample Rates) VST2, VST3 and AAX -  64-bit Windows 7+ with OpenGL2 or higher graphics     VST2,VST3, AU and AAX - Mac OS 10.11+ Intel & Silicon Please try the demos before purchasing.
Pristine Peaks Ultra-low Distortion Peak Limiter Pristine   Peaks   is   an   ultra-low   distortion   mono/stereo peak   limiter   for   use   in   both   mixing   and   mastering applications   where   the   utmost   in   transparent   peak control is required. Pristine   Peaks   uses   a   novel   approach   to   dynamics control   that   produces   a   very   “clean”   sound   that   does not   break   up   or   distort   even   at   high   gain   reduction amounts.   Instead   of   saturating   or   clipping   waveform peaks,   Pristine   Peaks   determines   what   needs   to   be done    to    control    the    peaks    and    applies    that    gain change    to    the    entire    waveform.    This    results    in extremely   low   THD   that   does   not   increase   with   gain reduction. PristinePeaks provides the following features: Less   than   0.005%   THD   at   any   gain   reduction amount (20Hz-20kHz, ISP on)* No aliasing* Oversampling option for ISP detection 4 choices of Dither (16 and 24-bit) Linear Phase input High Pass Filter Up to 20dB of Ceiling and drive Gain range Gain Comp control for monitoring at unity gain Attenuation   Delta   control   for   monitoring   what the limiter is removing Stereo    cross-linked    or    independent    L/R    gain reduction Choice of two different release slope shapes Peak    hold    meters    that    capture    the    max    gain reduction Mono and stereo channel applications Post-limiter, pre-dither output fader control *Steady-state measurements Pristine   Peaks   is   the   ideal   limiter   of   choice   for   music and   post-production   applications   where   clean,   high quality    limiting    is    required    without    saturation    or clipping   of   the   source   material.   NOTE:      Pristine   Peaks requires   a   considerable   amount   of   latency   to   “do   its thing”   and   is,   therefore,   not   suitable   for   live/tracking applications.
dB Smooth  FIR-Based   4-Quadrant   Compressor/Expander - ultra-smooth compression and expansion dB   Smooth   is   a   unique   dynamics   processor   based   on Finite   Impulse   Response   (FIR)   vs.   traditional   analog style    level    detectors.       The    FIR    detectors    are    very precise    and    exactly    surround    the    current    audio sample   producing   a   uniquely   “smooth”   sound   at   all settings.  db     Smooth     also     employs     a     unique     “Unity     gain threshold”   where   boost   and   cut   are   applied   above and   below   this   setting   for   gain   matching   by   design.     This      approach      allows      the      user      to      change compression/expansion   ratios   without   having   to   re- adjust    makeup    gain    levels.        db    Smooth    is    a    4- Quadrant dynamics processor that can be used for: Wide range compression Wide range expansion Upward compression Downward compression Upward expansion Downward expansion dB   Smooth   has   as   a   very   “clean”   sound   that   does   not break    up    or    distort    even    at    high    ratios    making    it suitable for: Mixing Mastering Post Production Video/Film Audio Webcasting Podcasting dB Smooth provides the following features: 4 choices of stereo operation: o Peak Linked o Average Linked o Independent Left/Right o Mid/Side Oversampled output soft clipper/limiter Dynamics    range    control    continuously   variable from 10:1 compression thru 1:2 expansion External side chain input Mix control for parallel compression effects Mono and stereo channel applications dB   Smooth   is   an   excellent   choice   for   music   and   post- production    applications    where    clean,    high    quality dynamics control is required.
Pristine Peaks IE Ultra-low Distortion Peak Limiter Immersive Edition Pristine    Peaks    IE    is    a    streamlined    version    of    our stereo   Pristine   Peaks   limiter   that   has   been   enhanced and     optimized     for     multi-channel     surround     and “immersive   audio”   applications.      Pristine   Peaks   IE,   like Pristine   Peaks,   is   an   ultra-low   distortion   peak   limiter for    use    in    both    mixing    and    mastering    applications where the transparent peak control is required. Pristine   Peaks   IE   can   support   up   to   12   channels   of audio    for    use    on    mono    all    the    way    up    to    7.1.4 channel-based   audio   tracks   and   buses.      Each   channel can   be   level-trimmed   +/-5dB   pre-limiter   while   their peaks   can   be   trimmed   as   well   by   as   much   as   10dB below the master Ceiling setting. Pristine   Peaks   IE   is   more   than   just   a   limiter!      It   is   a multi-channel   editing   tool   that   can   be   used   to   trim levels,   mute   and/or   extract   individual   channels   from within   a   multi-channel   audio   stream   via   its   Channel Isolate and Drive Trim controls. Pristine   Peaks   IE   uses   a   novel   approach   to   dynamics control   that   produces   a   very   “clean”   sound   that   does not   break   up   or   distort   even   at   high   gain   reduction amounts.      Instead   of   saturating   or   clipping   waveform peaks,   Pristine   Peaks   IE   determines what   needs   to   be done    to    control    the    peaks    and    applies    that    gain change    to    the    entire    waveform.    This    results    in extremely low THD for a very “clean” sound. PristinePeaks provides the following features: Up     to     12     channels     of     independent     gain reduction Less   than   0.005%   THD   at   any   gain   reduction amount (20Hz-20kHz)* No aliasing* -10dB to +20dB of pre-limiter global Drive gain +/-5dB channel pre-limiter drive Trims 0 dB to -20dB global Ceiling range 0dB to -10dB channel Ceiling Trims +/-15dB level Output control Choice of two different release slope shapes Peak    hold    meters    that    capture    the    max    gain reduction Independent     Channel     Isolation     and     Bypass buttons *Steady-state measurements Pristine    Peaks    IE    is    the    ideal    limiter    of    choice    for video       and       multi-channel       music       production applications    where    clean,    high    quality    limiting    is required   without   saturation   or   clipping   of   the   source material.        NOTE:        Pristine    Peaks    IE    requires    a considerable   amount   of   latency   to   “do   its   thing”   and is,       therefore,       not       suitable       for       live/tracking applications. NOTE:      The   Mac   version   of   this   plugin   requires   a system    that    supports    Metal    graphics    and    may    not work   on   older   machines.      Please   TRY   it   before   you BUY it!

RAISING JAKE STUDIOS