Telephone Old Time Telephone Effect "Telephone"    is    an    audio    effect    plugin    that    emulates    the sound   of   a   classic   analog   telephone.      It   is   not   just   a   simple bandpass    filter!    "Telephone"    also    applies    line    noise,    non- linear   distortion,   trunk   A/D   grit   and   -   yes   -   that   classic   "tin can" 300Hz - 3300Hz bandwidth. Additional features include: • a   mono   mix   button   (active   only   when   used   on   stereo tracks) • an output level trim control • wet/dry mix control • choice   of   3 A/D   converter   bit   depth   emulations   (8-bit, 10-bit and 12-bit) • a   variable   range   control   that   sets   the   overall   noise floor vs. clipping threshold.

DOWNLOAD THE CANS2CONESv4 PLUGIN HERE (demo operates as a fully functional 14 day trial until license is entered)

Demo Ducker Random Audio Ducking Generator "Demo   Ducker"   is   a   cute   little   plugin   that   can   help protect   your   work!      Demo   Ducker   can   be   used   to softly   “watermark”   your   audio   tracks   with   random dips   in   level   that   can   help   prevent   others   from   using your work without your consent. Demo    Ducker    generates    smooth,    random    dips    in audio   level   with   user-adjustable   controls   for   period, duration and depth.

Utility and FX Plugins (44.1k-192k Sample Rates) VST2, VST3 and AAX -  64-bit Windows 7+ with OpenGL2 or higher graphics     VST2,VST3, AU and AAX - Mac OS 10.11+ Intel & Silicon Please try the demos before purchasing.

DOWNLOAD THE TRUE MID/SIDE PLUGIN HERE (demo operates as a fully functional 14 day trial until license is entered)

True   Mid/Side   is   a   unique   plugin   that   extracts   the true   phantom   center   and   true   STEREO   side   signals from a stereo mix. What do we mean by “True” Mid/Side? Traditional      “Mid/Side”      processing      is      often      a misnomer      for      what      is      technically      “sum      and difference”   processing.      In   this   traditional   approach the   “Mid”   output   is   simply   the   mono   sum   of   left   and right    (L+R)    while    the    “side”    output    is    the    mono difference   of   left   and   right   (L-R).      Any   signals   panned hard   left   or   hard   right   - which   are   actually   pure   “side” signals    -    will    appear    in    both    the    Mid    and    Side outputs.      Meanwhile,   the   “Side”   output   is   a   mono mix   containing   both   the   left   and   right   sides.      This   is not how we hear stereo! “True    Mid/Side”    actually    separates    the    phantom center   (what   we   hear   in   the   middle   of   a   stereo   mix) from   the   stereo   side   signals.      The   stereo   Side   signals are    separated    to    their    respective    Left    and    Right sides.      All   three   resultant   signals   (Left-Center-Right) can   be   controlled   independently.      Signals   panned   to the   center   of   the   stereo   mix   (the   “Phantom   Center”) emerge    ONLY    in    the    Middle/Center    output    while signals    hard-panned    Left/Right    in    the    stereo    mix emerge   ONLY   in   the   Side   outputs   (and   on   the   same side they appear in the stereo mix).  True   Mid/Side   can   be   used   to   extract   and   render Middle/Center   and   Side   stems   from   a   stereo   track   or bus   and   can   also   be   used   in   effects   inserts   and   sends in   your   DAW   during   mixing   and   mastering   for   the ultimate   stereo   field   FX   and   control.      All   outputs   are directly    usable    -    latency    compensated    and    linear phase    -    and    do    not    require    re-encoding    back    to stereo.       Also    included    is    a        “Spread”    control    that allows    selection    of    the    depth    of    the    separation algorithm while   multiple   output   pins   are   provided   for DAWs   that   can   support   plugins   with   multiple   I/O pins. What is “Power Mono” mode? A   “mono”   mix   of   a   stereo   track   is   typically   just   the left   and   right   sides   added   together   (also   known   as the       “Mid”       channel       in       traditional       Mid/Side processing).      This   simple   mix   process   changes   the balance    of    the    mix    where    center-panned    sounds increase    in    level    while    ambience    and    other    side- panned   signals   become   reduced   in   level.      So what we hear   in   the   “mono   mix”   is   not   the   same   as   what   we hear in stereo. True    Mid/Side’s    “Power    Mono”    mode    produces    a mono    mix    using    true    power    summing    that    more accurately   captures   the   balance   and   ambience   of   the source    stereo    mix.        No    matter    where    a    sound    is panned    in    the    stereo    mix    it    emerges    in    “Power Mono”    at    the    same    level    (-3dB    pan    law).        This process   produces   a   significantly   more   accurate   mono mix that retains the original source mix balance. “Power    Mono”    mode    can    be    very    useful    when monitoring   a   mix   in   mono   or   to   export   high   quality mono tracks for post production or other uses.

Download Demo Ducker here for FREE!

DOWNLOAD THE SUBMASSIVE PLUGIN HERE (demo operates as a fully functional 14 day trial until license is entered)

The   idea   behind   SubMassive    is   that   "you   can't   EQ what   isn't there".      In   the   same   way   that   harmonic   exciters   can   be   used to   generate   high   end   for   sounds   lacking   high   frequencies SubMassive    can   be   used   to   generate   low   frequencies   that do not exist in the source material. SubMassive    works   by   synthesizing   low   frequency   audio   an octave   below   the   source   audio   using   a   high   quality   pitch shift   algorithm   that   has   been   optimized   for   low   frequencies.     The   plugin   uses   audio   information   above    the   “Fill   Below” threshold    to    generate    audio    information    below     the    Fill Below   threshold   adding   “weight”   to   the   source   signal.   The new   low   frequencies   are,   therefore,   harmonically   related   to the source audio and tightly coupled in timing accuracy. The   generated   LFE   signal   can   further   be   adjusted   to   lead   or lag the source signal allowing unique sound modifications. SubMassive can be used to: • Create super-huge low end in EDM mixes • Add "mass" to kick drums, snare drums and toms • Fatten lead vocals, bass and guitars • Generate an LFE channel for post-production video • Modify sounds using low end time shift effects NOTE:      The   Mac   version   of   this   plugin   requires   a system   that   supports   Metal   graphics   and   may   not work   on   older   machines.      Please   TRY   it   before   you BUY it!

VST and VST3 are trademarks of Steinberg Media Technologies GmbH. Audio Unit is a trademark of Apple, Inc. AAX, Avid, the Avid logo, and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries. Special thanks to the folks at Tracktion for their awesome Pluginval tool!  Check out Tracktion’s latest DAW here: https://www.tracktion.com/

DOWNLOAD THE ADVANCER PLUGIN HERE (demo operates as a fully functional 14 day trial until license is entered)

Advancer   is   a   unique   plugin   that   does   the   opposite of   delay.   It   uses   your   DAW’s   latency   compensation mechanism    to    shift    sounds    forward    in    time    (with respect   to   other   tracks   in your   DAW)   by   up   to   50mS.     This   “opposite   of   delay”   can   be   used   for   numerous corrective and creative purposes including: • Delay     compensation     and     time-aligment     of distant microphones • Timing        aligment/correction        of        skewed left/right   tracks   -   bringing   the   center   to   the center • Audio     brightening    via     frequency-dependent forward time shifts • Creating “ghost notes” and flams on drums • Creating    doubling    effects    that    anticipate    the original sound - adding excitement and clarity • Creating      extrememly      smooth      “Jet      Plane” flanging   effects   exactly   where   you   want   them with   full   control   over   sweep   speed   and   depth (via DAW automation of two controls). • Other   special   effects   only   possible   with   “the opposite of delay” Advancer   takes   pre-echo   a   step   further   by   including a     linear     phase     crossover     that     allows     applying different time shifts to high and low frequencies. When   used   on   stereo   tracks,   Advancer   also   includes the   options   to   apply   the   time   shifts   to   the   full   signal, just   the   “Middle/Center”,   just   the   “Sides”   or   just   the Left or RIght channel. Advancer   shifts   the   time   on   sample-based   intervals and     does     not     re-sample     the     audio     which     can degrade sound quality. NOTE:      The   Mac   version   of   this   plugin   requires   a system   that   supports   Metal   graphics   and   may   not work   on   older   machines.      Please   TRY   it   before   you BUY it!

Stereo Swapper Left<>Right Channel Switcher Most     people     do     not     have     perfectly     symmetric hearing   and   their   music   production   studios   can   be “unbalanced”   as   well.      So   when   working   on   a   mix   for a while   it   can   be   quite   surprising   how   it   sounds   if   the left and right channels are reversed. Stereo   Swapper   is   a   little   plugin   that   does   just   that   - quickly    swaps    the    left/right    channels    in    a    stereo track/bus without   requiring   any   messing   around with pan settings. Simply     insert     Stereo     Swapper     on     your     master monitor   stereo   bus   (if   your   DAW   has   one),   your   final stereo   mix   bus   -   or   even   any   stereo   track   WITHIN   a mix   -   to   quickly   hear   how   it   sounds   when   “swapped” left    to    right.        A    Mono    button    also    allows    quick referencing of the mix in mono.

Download Stereo Swapper here for FREE!